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Thursday, 09 October 2025
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Tunisian figure responsible for Syrian drama
جهادي تونسي مسؤولاً عن الدراما السورية 

The new Syrian administration has appointed Muawran Al-Hussein, a Tunisian personality, as the head of the Syrian National Drama Committee, sparking widespread reactions and criticism on social media platforms. This follows Al-Hussein’s temporary management of the committee’s affairs, after which he was officially confirmed in the position without additional details about his background or qualifications.

Reactions from the public expressed surprise at the choice of a non-Syrian figure for this national position, especially given the prominence of Syrian drama in the region, its rich history, and its leading artists who have contributed to shaping the cultural and artistic identity of the country and the Arab world. Many wonder, is it plausible that a foreign figure from Tunisia or elsewhere would be chosen instead of qualified Syrian talents, particularly when Syria still boasts many prominent names in the artistic field?

Questions were also raised about how familiar the public is with Muawran Al-Hussein, since there is little clear information or a notable media record about him, apart from reports of his appointment and some press interviews related to his work in the committee. When Minsterum February previously managed the committee, he emphasized that Syrian drama would continue to advance, with a high level of censorship.

In another development, the committee issued a decision two weeks ago to temporarily halt the filming of the series “Qaysar,” reflecting its significant authority to impose censorship and regulate policies on dramatic production. Syria was officially established in 2024 by a decree from Bashar Assad, who issued the creation of a new Ministry of Information tasked with managing drama policies, including evaluating scripts and works, issuing licenses, and export regulations.

Amidst the mystery surrounding Muawran Al-Hussein, who remains largely unknown beyond his appointment and some brief press statements, questions continue about his capabilities and the steps the committee will take. Widespread criticism from the public and activists considers this appointment as a reflection of the absence of national representation in positions related to drama and culture, putting the future of Syrian art at risk.